UX Bookclub Belfast, Feb 2018

This time round we had Donna Lichaw (@dlichaw) talking about her book The User’s Journey: Storymapping Products that People Love.

Donna has a background in screenwriting, and carried over the idea of mapping out story from the world of film as she transitioned into products. In the book we’re offered examples from film & TV (Back to the Future and Breaking Bad fwiw), then examples of how that transposes to design.

The storymapping model ©2018 Donna Lichaw

The storymap always follows this pattern (above), the challenge is then to populate the story with the most critical elements of the user experience. N.B. Although Campbell’s ‘Hero’s Journey’ is referenced, that isn’t the central model or focus of the book.

Examples of effective application of the technique included Donna’s own experience with FitCounter, where rate of retention during onboarding doubled, despite extending signup from 5 to 15 steps! Another example given is the signup experience of Twitter during it’s major growth period.

During Q&A Donna suggested storymapping was another tool that could work alongside more traditional methods; in practice I anticipate it will take significant buy-in from an early stage, right across the team. Potentially it might impinge or negate completely many accepted UX practices. For instance, some terms that Donna makes use of might be a formula for ambiguity in the UX vs agile conundrum, not least the definition of “stories” itself.

That said, Donna didn’t get caught up in semantics; the book is simply advocating for increased shared understanding, using story – in a holistic sense – as the agent to establish clarity for project goals. It’s a relatively short read, and makes a compelling case for storymapping to bring something fresh to product discussions. It’s but a short step away from experience mapping and traditional user stories; a consolidation of disparate elements under the banner of story.

If you have time, this is an excellent video of Donna’s presentation at Mind The Product in London, 2016.

Check the resources Donna has provided on her website.

Donna Lichaw appears at UX Bookclub Belfast

A quick history of UX Bookclub Belfast: started around 10 years ago and hosted by an agency named Front. They were acquired by Monotype in 2012 at which point myself and few others took up as organizers, until early 2016 when it ran out of suitable venues… and interest. FF to late 2017 and we held the first rebooted bookclub (now with added Meetup.com!)

UX Scotland 2014

It’s a couple of weeks already since UX Scotland; such is the pace of work these days that my brain has barely had time to process the whole experience.

I was again delighted to speak at the conference, which remains a favourite of all UX-related gathering I’ve been fortunate enough to attend. Without repeating every word from last year’s post, it’s just a lovely event. The city itself was looking great, the venue was again the unorthdox yet perfectly fitting setting, and the programme of talks & workshops again struck the right balance between aspirtational theory and gritty practical.

Feedback on my talk, Managing Complexity – UX vs the business model has been really satisfying. I was a little apprehensive about being quite so candid about a particular project I brought into the talk, but comments have completely vindicated that decision.

Colin Meney’s summary of the talk is available here, and I believe articulates the key points much more clearly and succunctly than the original talk did!

UX Scotland 2015 is already in the pipeline by all accounts. I look forward to making the regular trip across the Irish Sea once again, confident that I’ll be seeing as comprehensive a cross-section of the industry as I could wish for.

A criminal past

My name is Patrick Stuart Monro, and I have a criminal past.

Some weeks ago this thought occurred to me:

It had begun to feel that so much of what I was saying, whether on Twitter or off it, sounded like that old stereotype of the ex-smoker whose every utterance forms an unrelenting diatribe against their former habit.

Moving deeper into the wold of user experience research and user-centred design has turned my professional sensibilities on their head; I’m a poacher-turned-gamekeeper. From an inauspicious start at a design sweatshop, successive developments brought me to increasingly align with principles that should have been ingrained from day one, but were not.

I envy those who realise early in their design careers – perhaps through effective education – that people should be at the centre of their work, those who will consume the outputs from it. My early career was a series of exercises in aesthetic futility, recurring attempts to prove something about myself that rarely manifested itself in user-centred design of any variety.

Graphic work particularly was more often than not an exercise in Photoshop promenading. Maybe I would shoe-horn in a new typeface that I liked the look of, usually in wilful ignorance of the ultimate audience or purpose.

That said, no-one suffered, no-one died. Every piece of work I produced was signed off by a client as fit for purpose (not necessarily an endorsement of it being effective of course), and the work I was doing was no better or worse than numerous design projects created every day around the world.

What my tweet made me aware of was that I wish at times I could address my younger self (doesn’t everyone?), and begin to plant the seeds of responsible design earlier.

An opportunity has become available to do something approaching this, as a contributing lecturer to the Interactive Multimedia Design course at the University of Ulster. I can at least begin to make amends for my own lack of understanding (something I can’t solely attribute to poor levels of design education) by passing on some of what I’ve learned in 20+ years as a designer, albeit far too few of those spent as an effective one.

I find it cathartic to admit that I really haven’t been the designer I should have been for most of my career. But – as with all personal transformation – admitting aproblem is the first step. Followed by taking each day as it comes, and working to improve, one day at a time.

And I use each day to distance myself as far as possible from that younger version of me; the one who didn’t appreciate the privilege of working as a designer, and the responsibility that it brings with it.

I remain an eternal student of design. There are those in the industry (the ‘design’ industry in its widest possible sense), both globally and locally, that I look to now to help me make up for lost time. And it’s time I acknowledged them.

And with that, the subject of a future post becomes clear.

Get off the bandwagon and push

I loathe the term ‘UX’. It reeks of modish but shallow industry acronyms that come and go with changes in the wind. It devalues what user experience research and design represents, reducing it to a buzzword that is suddenly everywhere and which doesn’t even begin to communicate the value that, as with all design, it can deliver to businesses and organisations.

This was brought to my mind again during two enjoyable conversations in the past week with individuals just beginning their career in user experience design; one a recent graduate, the other a highly accomplished design professional making a shift to a new UX position.

Both admitted to wondering, as recently as a couple of years ago, what exactly UX had to offer – along the lines of “Is this not just…y’know, design?!” Having made the transition not too many years further back down the road I knew exactly what they meant.

I recall clearly the sense of indignation I used to feel at what user-centred design claimed to deliver – design fit for purpose for specific end users (forgive the over-simplification). “I do all that already” I thought, falling into that most narcissistic of designer traps – entertaining the thought that, by simply being a designer I was already doing everything right. Painful to think back to it now.

I can only imagine it must be galling for some UX veterans to watch as the discipline that they pioneered gains popular adoption, and in the process drawing to it the mainstream of the design world who now view ‘UX’ as some kind of new rock n’roll. After all, many will have been voices in the wilderness for years, while the rest of the design world mocked the overly considered approach that user-centred design demands. As it happens, user experience design now has a seat at the table, but we’re in esteemed company as just one of many diverse design disciplines.

Every industry will have its leaders and those who follow after; and both of these groups have particular responsibilities. The former must observe – and encourage – the expansion and diversification of the field which they helped to create with grace, and allow the new arrivals to help shape the future of this field.

The latter, though, have a greater responsibility. As commercial demand for the outputs and insights of user-centred design grows, so too does the imperative to ensure that UX practice truly evolves and flourishes. To put it another way, if UX represents a bandwagon of any kind, then the bandwagon cannot be allowed to slow down because we’re all clinging on just for the ride.

Common to both old and new practitioners is the need for humility. I’ve always loved this blog post from David Gillis; it articulates thoughts that I’m not sure I’ve read before or since.

The sheer complexity of the design challenges we face demands open-mindedness—a willingness to test and modify assumptions, to make mistakes and be proven wrong.

And, I would add to that sentiment, a willingness to contribute once we have learned from our experience.

We work with timeless principles; however the way in which we research, document and execute our work must keep evolving; no industry rests on its laurels. This is not the sole responsibility of those who made it into an industry at all. It is a joint responsibility with everyone who lays claim to the moniker of ‘UX’. Pioneers and Latecomers (and I will  include myself in the latter category), need to add to the toolkit – work out new deliverables, develop new insights and engender new thinking.

Anyone in an industry is entitled to a free ride every now and again, but we should  be prepared just as often to make effective contributions to the future of the industry, ensuring it is defined by integrity and humility. In short, get off and push.


The UX of Edinburgh

At the end of last month I had the pleasure of not only attending, but contributing to the excellent UX Scotland, a UX design conference held in a striking venue in the middle of a beautiful city.

Crucially, unlike a plethora of other design events, UX Scotland didn’t try to reach beyond its stated remit. Instead it addressed the ever-growing UX industry in a practical and comprehensive manner, packing over 30 sessions into the short space of two days. And being an unashamedly niche conference (a good thing), the opportunity was there to get talking to almost everyone else attending. I met some great people both at the conference itself and at the social evening, and swapped some project stories that were as galvanising as they were entertaining.

The speaker line-up was the right mix of headline grabbers and coal-face practitioners. Keynote speaker on Thursday was the redoubtable Jeff Gothelf who sadly I missed due to a late change to travel arrangements. Jeff’s recent book ‘Lean UX‘ is an electrifying read that has the potential to change how UX practice evolves.

Friday’s keynote came from Giles Colborne, whose own book ‘Simple and Usable‘ is a veritable UX call-to-arms and whose agency (Bristol’s CX Partners) is behind some of the most informative, practical UX books available.

Other notable sessions I attended included:
Stephanie Rieger, speaking about how the future tends to be very different from what might have been predicted, also tending to be much more usable
Oli Shaw, offering a swathe of tools and techniques to leverage design strategy
Ian Fenn, giving a whistle-stop tour of the qualities UX designers should demonstrate in order to practice more effectively
Mike Atherton on how brand-driven design sets the tone for the overall customer and user experience
– Lorraine Paterson, Patty Kazmierczak & Mike Jefferson describing the process of creating a UX design pattern library for more cohesive UX design across large organisations

It was agony at some points having to choose between one session and another, and I can’t help but think of great insights I may have missed. And one of the drawbacks of hosting a session was missing some of the great sessions immediately before and after my own.

My own contribution – The Persona Express workshop – went by in a flash, certainly the quickest 1.5 hours I can remember. Although well accustomed to speaking in front of an audience, be it presentations, stakeholder meetings or client workshops, this was the first time I had stood in front of highly informed industry peers in a workshop setting. And there were immediate takeaways from the experience. Next time I won’t make the beginners error of trying to fit quite so much in to such a short period of time. Although, nor would I drop quite so much material from the opening pitch: much of what I cut out appeared in one form or another at other sessions, and would have tied neatly into some of the conference’s major themes.

Feedback from the event was positive and, as I had hoped, I learned much both from putting the session together and from the contributions of participants. Total win.

Credit is due to all on the UX Scotland team – Jacqui, Ryan and Mark from Software Acumen – who put on a very impressive event, in a very special place, that brought together a diverse attendee list. I have attended a number of conferences where the visibility of organisers suggested that self-promotion was high on the agenda. Not so here. As with UX Brighton, it’s all about the event.

What I heard and discussed at UX Scotland is still rolling around my head. As any good conference should deliver, the lessons will have an immediate effect on my work. I feel very fortunate not only to have presented at the event but to have attended at all.


NB – The venue – Our Dynamic Earth – is difficult to describe. Visit the website and be assured that the images simply don’t do it justice, set as it is in the shadow of Arthur’s Seat, adjacent to Holyrood House place. Stunning.